Ur-Fascism is still around us, sometimes in plainclothes. It would be so much easier, for us, if there appeared on the world scene somebody saying, “I want to reopen Auschwitz, I want the Black Shirts to parade again in the Italian squares.” Life is not that simple. Ur-Fascism can come back under the most innocent of disguises. Our duty is to uncover it and to point our finger at any of its new instances—every day, in every part of the world.
I think it is possible to outline a list of features that are typical of what I would like to call Ur-Fascism, or Eternal Fascism. These features cannot be organized into a system; many of them contradict each other, and are also typical of other kinds of despotism or fanaticism. But it is enough that one of them be present to allow fascism to coagulate around it.
This post is about fascism online; more specifically, it is about the many facets of fascist ideology that are present throughout the collection of subcultures and communities that I will be referring to as "the indie web."
"Video games" is far from the only subculture or hobby to fall prey to fascism. By nature of being subcultures, many communities enjoy defining themselves as different from "the normies" - a sort of imaginary opponent embodied in the form of the faceless masses - and, in so doing, consider themselves superior to "the normies." And, as noted, nostalgia is a powerful and nearly-universal emotion. Especially as more and more hobbies are feeling the effects of "enshittification" (not my favorite term but it's the one we've got), more and more people are inclined to think, "Things used to be better before."
Fascism creeps. It simmers. It is an ideology and a mindset as well as a specific political movement. I don't think that I really need to explain how memes, jokes, and subcultural norms on sites like 4chan are a path to extremism; that's pretty well-established by now. It's a mistake to dismiss accumulating fascist sentiment as harmless internet bullshit.
I have personally observed 11 of the 14 features of Ur-Fascism in the hobbyist web space, present as unquestioned & significant aspects of the subculture. I am not going to add a disclaimer to spare anybody's feelings; instead, I encourage any potential readers to instead sit with whatever discomfort, offense, defensiveness, or hurt you might feel and think about why you feel that way. It is not a bad thing to feel uncomfortable.
https://thewebisfucked.com/ https://www.akpain.net/blog/the-modern-web-sucks/ https://discoisdead.neocities.org/posts/2022-01-26-Hello-World https://10kb.neocities.org/about/why https://xmenfan2001.neocities.org/manifesto https://rubedo.work/oldweb.html https://chaiaeran.neocities.org/manifesto https://linkyblog.neocities.org/9-5-2021post https://milfgod.net/manifesto https://misterdizzy.neocities.org/library/addiction.txt https://darkmiryam.neocities.org/manifesto https://vaea-v.neocities.org/mission_statement/ https://haptalaon.dreamwidth.org/100335.html https://vhsoverdrive.neocities.org/essays/oldweb https://deathtobullshit.com/ https://bl-world.neocities.org/writings/blog11. The first feature of Ur-Fascism is the cult of tradition.
This new culture had to be syncretistic. Syncretism is not only, as the dictionary says, “the combination of different forms of belief or practice”; such a combination must tolerate contradictions. Each of the original messages contains a sliver of wisdom, and whenever they seem to say different or incompatible things it is only because all are alluding, allegorically, to the same primeval truth.
As a consequence, there can be no advancement of learning. Truth has been already spelled out once and for all, and we can only keep interpreting its obscure message.
Things were better in the past. We don't need new ideas, we only need the old ideas. All the good ideas have already been had.
2. Traditionalism implies the rejection of modernism.
Both Fascists and Nazis worshiped technology, while traditionalist thinkers usually reject it as a negation of traditional spiritual values. However, even though Nazism was proud of its industrial achievements, its praise of modernism was only the surface of an ideology based upon Blood and Earth (Blut und Boden). The rejection of the modern world was disguised as a rebuttal of the capitalistic way of life, but it mainly concerned the rejection of the Spirit of 1789 (and of 1776, of course). The Enlightenment, the Age of Reason, is seen as the beginning of modern depravity. In this sense Ur-Fascism can be defined as irrationalism.
3. Irrationalism also depends on the cult of action for action’s sake.
Action being beautiful in itself, it must be taken before, or without, any previous reflection. Thinking is a form of emasculation. Therefore culture is suspect insofar as it is identified with critical attitudes. Distrust of the intellectual world has always been a symptom of Ur-Fascism, from Goering’s alleged statement (“When I hear talk of culture I reach for my gun”) to the frequent use of such expressions as “degenerate intellectuals,” “eggheads,” “effete snobs,” “universities are a nest of reds.” The official Fascist intellectuals were mainly engaged in attacking modern culture and the liberal intelligentsia for having betrayed traditional values.
4. No syncretistic faith can withstand analytical criticism.
The critical spirit makes distinctions, and to distinguish is a sign of modernism. In modern culture the scientific community praises disagreement as a way to improve knowledge. For Ur-Fascism, disagreement is treason.
5. Besides, disagreement is a sign of diversity.
Ur-Fascism grows up and seeks for consensus by exploiting and exacerbating the natural fear of difference. The first appeal of a fascist or prematurely fascist movement is an appeal against the intruders. Thus Ur-Fascism is racist by definition.
>6. Ur-Fascism derives from individual or social frustration.
That is why one of the most typical features of the historical fascism was the appeal to a frustrated middle class, a class suffering from an economic crisis or feelings of political humiliation, and frightened by the pressure of lower social groups. In our time, when the old “proletarians” are becoming petty bourgeois (and the lumpen are largely excluded from the political scene), the fascism of tomorrow will find its audience in this new majority.
7. To people who feel deprived of a clear social identity, Ur-Fascism says that their only privilege is the most common one, to be born in the same country.
This is the origin of nationalism. Besides, the only ones who can provide an identity to the nation are its enemies. Thus at the root of the Ur-Fascist psychology there is the obsession with a plot, possibly an international one. The followers must feel besieged. The easiest way to solve the plot is the appeal to xenophobia. But the plot must also come from the inside: Jews are usually the best target because they have the advantage of being at the same time inside and outside.
10. Elitism is a typical aspect of any reactionary ideology, insofar as it is fundamentally aristocratic, and aristocratic and militaristic elitism cruelly implies contempt for the weak.
Ur-Fascism can only advocate a popular elitism. Every citizen belongs to the best people of the world, the members of the party are the best among the citizens, every citizen can (or ought to) become a member of the party. But there cannot be patricians without plebeians. In fact, the Leader, knowing that his power was not delegated to him democratically but was conquered by force, also knows that his force is based upon the weakness of the masses; they are so weak as to need and deserve a ruler. Since the group is hierarchically organized (according to a military model), every subordinate leader despises his own underlings, and each of them despises his inferiors. This reinforces the sense of mass elitism.
11. In such a perspective everybody is educated to become a hero.
In every mythology the hero is an exceptional being, but in Ur-Fascist ideology, heroism is the norm. This cult of heroism is strictly linked with the cult of death. It is not by chance that a motto of the Falangists was Viva la Muerte (in English it should be translated as “Long Live Death!”). In non-fascist societies, the lay public is told that death is unpleasant but must be faced with dignity; believers are told that it is the painful way to reach a supernatural happiness. By contrast, the Ur-Fascist hero craves heroic death, advertised as the best reward for a heroic life. The Ur-Fascist hero is impatient to die. In his impatience, he more frequently sends other people to death.
13. Ur-Fascism is based upon a selective populism, a qualitative populism, one might say.
In a democracy, the citizens have individual rights, but the citizens in their entirety have a political impact only from a quantitative point of view—one follows the decisions of the majority. For Ur-Fascism, however, individuals as individuals have no rights, and the People is conceived as a quality, a monolithic entity expressing the Common Will. Since no large quantity of human beings can have a common will, the Leader pretends to be their interpreter. Having lost their power of delegation, citizens do not act; they are only called on to play the role of the People. Thus the People is only a theatrical fiction. To have a good instance of qualitative populism we no longer need the Piazza Venezia in Rome or the Nuremberg Stadium. There is in our future a TV or Internet populism, in which the emotional response of a selected group of citizens can be presented and accepted as the Voice of the People.
14. Ur-Fascism speaks Newspeak.
Newspeak was invented by Orwell, in 1984, as the official language of Ingsoc, English Socialism. But elements of Ur-Fascism are common to different forms of dictatorship. All the Nazi or Fascist schoolbooks made use of an impoverished vocabulary, and an elementary syntax, in order to limit the instruments for complex and critical reasoning. But we must be ready to identify other kinds of Newspeak, even if they take the apparently innocent form of a popular talk show.